Author: grayspark.

– Plan your recording with your Engineer / Producer:

When it comes to making a record, there are numerous approaches that can be taken to execute it, depending on if you want to record in a setup with the entire band or just produce a few ideas that you have in your head and record elements separate so that you have most control on the individual sounds. Communicating with your engineer makes sure that you can approach the process that is best suited to your song, making the whole recording process efficient.

Usually, most big studios have a huge mic locker so knowing the specifics of the recording also helps the engineer and producers choose the microphone and in turn the sound that they’re looking for. Also, planning your recording makes sure that you have dedicated time to record specific parts. Most recording studio in Pune usually bill by the hour, so managing your time is also easy on your wallet.

-Rehearse, Rehearse, Rehearse:

This one cant be emphasized more. Time in the studio is money, so if you’re under prepared the engineer/producer will keep asking you to do a better take until he gets what he wants.

Also, if you’re well prepared this gives the engineer and producer time to work on the more minute details than just fixing the performance and needless to say a well performed take will make your record considerably better. Our state of the art audio recording studio in Pune gives you a working environment that is calm and relaxed, allowing you to better concentration.

– Gear Up:

This one is equally important as the one above, making sure that your equipment is ready for the studio. You cannot get the sound you’re looking for if your equipment itself is not up to par. Things that you should prep before you come to the studio include:
a. Restringing your guitars (Preferably a day before your recording so that they have time to settle in)
b. Changing your skins ( Again, a day or two for the skins to settle in)
c. Vocals Warmups
d. Intonation

Make sure all the above mentioned things are taken care before you enter the studio, you don’t want to come in and spend 3 hrs trying to fix your guitars intonation. Working with the leading Music Recording Studio in Pune, we ensure that your sound mixing and recording experience goes smoothly and efficiently.

– BYOR (Bring Your Own References):

When it comes to the world of sound, lately, the terms to describe sound have become very subjective. Refrain from using words like warm, shiny, shimmery etc.
Instead bring a reference with the kind of sound you have in mind, make sure that the engineer understands what you’re going for in case you don’t have a producer working with you. This ensures that you’re both on the same page and the recording process doesn’t get hampered, cause like i said before a bad sound on the way in will sound bad no matter what you do to it in post production.

This way your definition of “Warm” is same with the engineers definition of “Warm”

Let’s talk about why home recordings and studio recordings sound so different.

The biggest difference in the home recordings vs studio recordings is the sound of the rooms. The recording rooms in the studio are acoustically engineered to absorb and reflect certain frequencies so that you get the purest form of the source. Untreated rooms tend to have more reflections of sound (higher rt60) which leads to an undesired sound. Sound waves are like light waves. Imagine standing with a flashlight in a dark room where all the walls are made of glass. You would end up seeing multiple reflections of this flashlight bouncing off of the walls. The same applies to sound, when you generate sound in a room the sound waves move outward reflecting from the surfaces of the wall, these waves keep on reflecting till they are devoid of energy.

Now imagine placing a microphone in front of a sound source, when sound is generated from the source it will directly reach the microphone as shown in the diagram below.

Best Recording Studio in Pune

Similarly, there are these reflections that are bouncing off the walls, but since they are traveling a long distance they will reach the microphone a little later. With a lot of Untreated rooms, these reflection times are longer which end up muddying the sound of the source even more. On the other hand, the live rooms in a studio are designed acoustically to have the right balance of the direct sound to the reflected sound so that the source is captured in its purest form possible.

– Equipment:

This is an obvious point of difference between the two, recording studios usually tend to have a higher quality Analog to Digital and Digital to Analog convertors. They also have a number of varied microphones in their mic locker which can be used for specific voices.
Professional recording studios also use Digital Audio Workstations like Pro tools to record the source in the right way without any artifacts, which the engineer can then use to manipulate and use various tools like Compression, Equalization or add effects like Reverb and delay to get the desired effect.

– Engineer:

The final and the most important point that sets these two apart are a seasoned set of years. What most people fail to under is that although the recording is not rocket science, in order to make professional sounding recordings one needs to take care of the smallest details like figuring out what microphone to use, what is the right gain staging, how to use the compression, EQ, FX etc.

It’s best to do leave these tasks to a professional so that you can focus on the performance. Another thing that an engineer brings into the picture is perspective, usually, when working on your own projects for a long period of time one tends to lose perspective and you get seasoned to what you’ve been working on. The right engineer will help guide you on how you can tweak your performance, so that you can sound your absolute best.So when should you go to the studio and when should you record at home? Home studios are the best to practice your performance and gauge how you sound on record. Home studios are good to create a basic demo that you can further take to the studio to refine.

So in the first part of the blog we discussed how we go about the recording process inside the studio. In this blog we’ll discuss of the post production aspects that go into making a song.


This is the first step in the post production process, in this step essential the recording engineer goes through the tracks and aligns it with the rest of the performances. Let say we have a drum recording where the Drum roll ends just a little early in time, in this stage such files are time aligned and edited so that all of them lie exactly where they should be.

This also means editing (aligning) the bass file and the rest of the instruments with each other, many a times during the recording process you can get a performance that is accurate upto a certain point, essentially in the editing stage you can correct the accuracy of the performance in pitch and time.

PS: There is no replacement to a good organic performance, if you cant perform right, no amount of editing can fix it. Unless you have the right engineer

Other tasks like comping and arrangement are also done during the editing stage. Arrangement is self explanatory, it means arranging certain elements and sections in the song in a sequence that sounds most exciting for the song. For eg: Intro, Ver1 , Chor1, Vers2, Brigde, Chorus. This could be an arrangement for a song.


Once all the above mentioned process are done to the session, it moves on to the mix phase.

This is what a typical mix session looks like

All the tracks that you have arranged, comped and edited in pitch and time are now layed out so that they can be mixed together to sound like one cohesive unit.

A lot of newbies expect the mixing to do magic to their song and make it sound different, but like the other stages a lot of it depends on the source that youre recording, if its recorded bad on the way in. Its going to sound bad no matter what you do to it.

During the mix the engineer changes various parameters on every track like

  • Volume
  • Panning
  • Timber or EQ
  • Dynamics or Compression
  • Reverb
  • Automation

Volume is pretty self-explanatory, the engineer sets the levels on the instruments with respect to each other. For eg if the vocals are the driving instrument for the song the mix engineer creates a balance wherein the vocals are the loudest with respect to the other tracks.

Panning is where the placement of the track is decided, for eg some tracks are placed either to the right to the left of the center depending on how the engineer wants to shape the sound of the mix. A lot of the sound of the mix depends in the decisions that are taken during all of these stages.

Timber or EQ is where the use of tools of various equalizers is used to change the timber of the instruments. This tool is mostly used so make sure that all the instruments that are recorded are working well with each other tonally. For eg lets say you have a dull sounding voice that lacks the brightness or treble and sounds uncharacteristic, this is where the engineer uses the EQ to add that missing sound to the voice.

Compression: To put this in layman’s term this tool is used to control the dynamics of the song, if the instrument is very loud and soft then this tool lets you control the dynamics of such instruments so that they don’t stand out more than they should. There is a lot more the Compression than this, but for now let’s keep it at that.

Reverb and FX: Pretty self-explanatory again, during this phase the engineer sets the Effects that need to be added to the track, it could the reverb effect on the drums or the voice or the delay on the guitar part.

Automation: Automation means automating certain parameters of the above mentioned tools as the track moves along the song. Say if you want to reverb on the vocals to increase during the chorus, you can use automation to do that. Any parameter can be automate, imagine, so many permutations and combinations. Phew.

TLDR: Mixing is like cooking a perfect meal, you have all ingredients (recorded parts) available to you. Now you make a meal out of it. You might like your food spicy, some might like it zingy. It’s a matter of preference and taste. Basically, you add in all these elements in just the right amount and voila, you have a mix. Sorry a meal.


This is the final stage of the songmaking process, in this stage the mastering engineer decided the final compression and the overall loudness of the song. Here the engineer also makes sure to add finishing touches to make sure that the song that is mixed translates well to the real world listening systems. Various analog or digital tools are used to add a finalizer before the song goes out into the world.

That does sound like a lot of work yeah ? Well, it is. But with the right kind of engineer and team all of this becomes easy. Like I said in the first blog. Do what you do best, Outsource the rest.

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