Tag: recording studio in pune.

What you need to know before you hit the studio

Today’s post is a quick run through of what you need to be aware of before you hit the studio to record. If you are a newbie and haven’t ever recorded anything in a professional studio, then read on!!

Plan your recording:

The first thing you need to be aware of in a studio, TIME = MONEY.

When it comes to recording your music, there are many ways to approach the execution. You might want to just produce a few ideas that you have in your head and record every element individually to have more control on the sound. Conversely, you might want to have the entire band in the room tracking live.

Communicating with the chosen engineer for the project makes sure that you an approach the process that is best suited for your song, making the whole recording process efficient.

I would suggest that you draft up a working budget for your song (gotta adult guys…) and find the studio that can give you give you the most value for your money. Once you know the rate (factor in the GST too), you know how many hours you have.  When you know how many hours you have, you can make decisions on how to best spend the time. If you are in a band, make sure each member has an adequate amount of time to lay down their parts.

Also, try and factor in some ‘experimentation time’ in your sessions. I have a few clients that do this. They will come in, record their parts, and once the base is set, experiment with their equipment, instruments, recording techniques and FX to try and create a sound that hasn’t been heard before. Sometimes it works, sometimes it doesn’t. When it does though, it’s usually tends to become one of the artists’ sonic signature.

Ideally, recording in a studio should be fun and fulfilling for you as an artist. In my experience a well planned recording makes this possible.

Practice, Practice, Practice:

Artists sometimes knowingly, or unknowingly come in unrehearsed. Seasoned session musicians can pull this off, but it can be a nightmare situation for the average musician. The longer capturing a good performance takes, the more tedious the process becomes. There is also a chance the engineer will lose interest and objectivity listening to the same part repeatedly for a long time.

The more rehearsed you are, the more time the engineer and producer can take to work on the finer points of the performance.

Gear up:

Make sure your equipment (or voice) is in the best condition possible before you get to recording it. Here’s some advice on how you an go about it, depending on what your instrument of choice is:

  • If you are a singer make sure to have a regimen to take care of your voice and get enough sleep.  A rested voice in my experience is easy to work with and get a great performance out of. I would also suggest entering  the studio a little earlier to settle in and warming-up before the session.

  • Guitar & Bass players can prepare their guitars by shining their frets, conditioning the neck and changing strings a day or two before the session. Stretch your strings so that they hold tune better, and make sure your electronics are up to scratch. Fresh strings will have a zing & brightness that old strings just won’t have, giving you richer guitar sounds. Some people love the sound of a freshly re-strung guitar. I personally prefer the strings to be a few days old.

  • Drummers and percussionists can change their skins. This isn’t as necessary as new strings, since some aged skins can have a very characteristic sound that might work great for the song. New skins will give you a brighter, snappier sound.  Drummers should carry fresh sticks and moon-gel (or whatever you may use for damping).

You should make sure all of the above should be taken care of well before you enter the studio. If you come in and find out that your intonation is off, you’ll be wasting your time and thus your money.

Don’t come as you are, come prepared !!

Bring in some references:

Depending on which websites you visit, you will find that words like warm, shimmery, sparkly, muddy, bite-y are used to describe a sound. These words are incredibly subjective.

When communicating with your engineer, you need to understand that your bright can be very different compared to your engineer’s bright. Make sure to carry a reference that is in the same ballpark as the sound you are chasing. This ensures there’s a starting point to work from since you both are on the same page.

In closing

So we’ve gone through a few things you can do to prepare for your time in the studio. The above are your bare minimum basics to adhere to if you want a stress free recording. I can go on about how you shouldn’t walk in with distractions like drugs, alcohol or girlfriends but that isn’t very rock and roll is it? The important thing is to make sure you enter the studio in the best frame of mind.

And remember,

TIME = MONEY!!

Cheers,

Ronak

 

 

It’s been easy at the studio!!

We are working on a new film and are recording new music, it’s shaping up really well and I’m quite excited about the final product coming your way.

Today’s post is the follow up to Part 1 , which describes how I go about the tracking process. We’ll be looking at editing, mixing and mastering. These 3 processes are basically post production. If you hear someone say “We’ll fix it in post (please hit them)”, they are basically saying they will use one (or all of the above) to make a performance that wasn’t quite up to the mark acceptable. Let’s dive in.

 

EDITING: Usually the place to start in post, editing deals with making corrections in the recording. Editing is basically ‘Cut, copy and paste (and delete)’. It can be used to fix or mangle performances depending on what kind of music you are making. As an example, let’s say we have 2 takes of a drum recording where the snare hits are a little ahead of the beat, the drum roll isn’t great on one of them. Using our basic cut and paste tools, we can take all the snare hits (look up strip silence and tab to transient) and push them behind in time to make them feel right. The drum roll at the end we can cut from one take and paste it on to the final one. This process is repeated for all the other elements in the song until everything sounds right. There are a variety of things you wouldn’t want on your recording, like a bad note, an out of time hit, an out of tune vocal or a friend who walks yapping just when you’ve finished a take you’re happy with. You would be surprised by how much editing happens to make a song feel right, that is if the performance isn’t good. If the performance is actually amazing you’ll find yourself just editing out the ends of the audio file to take out clicks and pops!! It can also be used to change the arrangement of a song. Say your song structure is Intro – Verse – Chorus – Verse – Chorus – Outro and the singer is about to record. You feel the 2nd chorus should be twice as long. You can copy and paste the elements of the chorus to make it longer. Mischief managed.

 

MIXING: This is what one of my mix sessions looks like in Pro-Tools.

Mix Window Pro Tools with all the tracks Laid Out

All the tracks that I have arranged and edited in pitch and time are now laid out, ready to be mixed together. This is the part where we go from what sounds like a collection of sounds to one cohesive sounding song. A lot of newbies expect mixing to be this magical process that fixes any and every mistake. This is a myth. Garbage in, garbage out, this never changes. Mixing is all about making the most space for the most important elements, and accommodating every other element of the song. It’s the process where every element of the song is balanced in amplitude(volume) and tonality to with respect to the others. In a mix, the engineer changes various parameters on every track. Let’s take a look:

• Volume – Pretty straightforward, the engineer sets the levels of the instruments relative to each other. For example if the vocal is the main element that drives the song, the mix engineer creates a balance where the vocals are the loudest with respect to the other tracks.

• Panning – It’s where the placement of the track is decided in the stereo spectrum. Tracks can be placed dead center, hard right, hard left and in between. Using panning creatively helps you create a sense of size of a song. For example, everything might be dead centre in the intro + first verse of the song. When the chorus hits, you open up the stereo spectrum by placing your guitars (or synths) and the listener will perceive it as the song having more energy and excitement than before.

• Timbre – Say you have a dull sounding voice that lacks ‘the brightness and sheen’ and is pulling the song back. You can use an equaliser to add some highs(I.e higher frequencies) to taste until it sounds right. An equaliser is mostly used to make sure all the instruments work together well tonally.

• Compression – IS THE MOST MISUSED TOOL EVER !!!!! Let’s say you have a singer who goes from very soft to very loud in the same line. You could bring up the volume up on one or down on one. But now this is happening in every line in the song. This is where compression comes in. You can use a compressor to ‘compress’ or reduce the dynamic range of the singer bringing forward the quiet bits and controlling the loud ones. There is a lot more that compression is used for in modern music, we’ll be looking at some of these tricks later.

• Reverb – Reverb helps create a sense of space in the mix. You can take all your instruments and change the perception of where the performance happened by tweaking the reverb settings. Your options will usually be halls, chambers, plates, small, medium and big sized rooms.

• FX – You can use effects such as distortion, delay, pitch shifting, auto-tune, chorus, flanger, phaser, tremolo to make the sounds interesting. There are many ways to use these effects, which cannot be listed here. A good place to start is by finding out what effects were used on your favourite songs, and applying the same ones to yours. Youtube is a great resource for this.

• Automation – Automation is the process of automating certain parameters of the above over the course of the mix. Say you want the reverb on the vocals to increase during the chorus, you set the parameters for the verse and chorus and automation will make this change automatically for you when you go from the verse to the chorus. Most parameters in almost every plugin can be automated, giving you endless possibilities for sonic manipulation. If you spend some time with this, you will find that you are only limited by your imagination.

MASTERING: The final stage of the production process. The mix is tweaked using analog/digital tools to make sure that it translates well across all types of real world listening systems ranging from the cheapest earphones to the most expensive sound systems. This is done by tweaking the same parameters as above, though there is a marked difference in how the tools are used. This is a fairly complex process, and takes a fair degree of expertise to carry out. However, we will have a more in depth look at this process in the future. We’ve taken a look at the 3 core processes of post production and I’m hoping this has been helpful to you. Yes it is a lot of work, but with the right kind of engineer and team it does get easier. As I always say, do what you do best, Outsource the rest.

 

– Plan your recording with your Engineer / Producer:

When it comes to making a record, there are numerous approaches that can be taken to execute it, depending on if you want to record in a setup with the entire band or just produce a few ideas that you have in your head and record elements separate so that you have most control on the individual sounds. Communicating with your engineer makes sure that you can approach the process that is best suited to your song, making the whole recording process efficient.

Usually, most big studios have a huge mic locker so knowing the specifics of the recording also helps the engineer and producers choose the microphone and in turn the sound that they’re looking for. Also, planning your recording makes sure that you have dedicated time to record specific parts. Most recording studio in Pune usually bill by the hour, so managing your time is also easy on your wallet.

-Rehearse, Rehearse, Rehearse:

This one cant be emphasized more. Time in the studio is money, so if you’re under prepared the engineer/producer will keep asking you to do a better take until he gets what he wants.

Also, if you’re well prepared this gives the engineer and producer time to work on the more minute details than just fixing the performance and needless to say a well performed take will make your record considerably better. Our state of the art audio recording studio in Pune gives you a working environment that is calm and relaxed, allowing you to better concentration.

– Gear Up:

This one is equally important as the one above, making sure that your equipment is ready for the studio. You cannot get the sound you’re looking for if your equipment itself is not up to par. Things that you should prep before you come to the studio include:
a. Restringing your guitars (Preferably a day before your recording so that they have time to settle in)
b. Changing your skins ( Again, a day or two for the skins to settle in)
c. Vocals Warmups
d. Intonation

Make sure all the above mentioned things are taken care before you enter the studio, you don’t want to come in and spend 3 hrs trying to fix your guitars intonation. Working with the leading Music Recording Studio in Pune, we ensure that your sound mixing and recording experience goes smoothly and efficiently.

– BYOR (Bring Your Own References):

When it comes to the world of sound, lately, the terms to describe sound have become very subjective. Refrain from using words like warm, shiny, shimmery etc.
Instead bring a reference with the kind of sound you have in mind, make sure that the engineer understands what you’re going for in case you don’t have a producer working with you. This ensures that you’re both on the same page and the recording process doesn’t get hampered, cause like i said before a bad sound on the way in will sound bad no matter what you do to it in post production.

This way your definition of “Warm” is same with the engineers definition of “Warm”

Let’s talk about why home recordings and studio recordings sound so different.

The biggest difference in the home recordings vs studio recordings is the sound of the rooms. The recording rooms in the studio are acoustically engineered to absorb and reflect certain frequencies so that you get the purest form of the source. Untreated rooms tend to have more reflections of sound (higher rt60) which leads to an undesired sound. Sound waves are like light waves. Imagine standing with a flashlight in a dark room where all the walls are made of glass. You would end up seeing multiple reflections of this flashlight bouncing off of the walls. The same applies to sound, when you generate sound in a room the sound waves move outward reflecting from the surfaces of the wall, these waves keep on reflecting till they are devoid of energy.

Now imagine placing a microphone in front of a sound source, when sound is generated from the source it will directly reach the microphone as shown in the diagram below.

Best Recording Studio in Pune

Similarly, there are these reflections that are bouncing off the walls, but since they are traveling a long distance they will reach the microphone a little later. With a lot of Untreated rooms, these reflection times are longer which end up muddying the sound of the source even more. On the other hand, the live rooms in a studio are designed acoustically to have the right balance of the direct sound to the reflected sound so that the source is captured in its purest form possible.

– Equipment:

This is an obvious point of difference between the two, recording studios usually tend to have a higher quality Analog to Digital and Digital to Analog convertors. They also have a number of varied microphones in their mic locker which can be used for specific voices.
Professional recording studios also use Digital Audio Workstations like Pro tools to record the source in the right way without any artifacts, which the engineer can then use to manipulate and use various tools like Compression, Equalization or add effects like Reverb and delay to get the desired effect.

– Engineer:

The final and the most important point that sets these two apart are a seasoned set of years. What most people fail to under is that although the recording is not rocket science, in order to make professional sounding recordings one needs to take care of the smallest details like figuring out what microphone to use, what is the right gain staging, how to use the compression, EQ, FX etc.

It’s best to do leave these tasks to a professional so that you can focus on the performance. Another thing that an engineer brings into the picture is perspective, usually, when working on your own projects for a long period of time one tends to lose perspective and you get seasoned to what you’ve been working on. The right engineer will help guide you on how you can tweak your performance, so that you can sound your absolute best.So when should you go to the studio and when should you record at home? Home studios are the best to practice your performance and gauge how you sound on record. Home studios are good to create a basic demo that you can further take to the studio to refine.

We often get questions from people about how the process of recording works. Today we are going to try and breakdown the process of how a song takes shape and how it is built from an idea to an actual song.

I will try and address these points from a layman’s perspective.
Firstly,

Recording:

Things have changed drastically over the past few decades about how the recording process works. From just using two microphones and tape to record to AD/DA convertors, variants of mic preamplifier to multi-tracking capabilities. I know all of this technical jargon sounds very confusing, but it really isn’t.
Simply put…

In today’s world we record everything digitally in a software that is called the Digital Audio Workstation or D.A.W.

A DAW gives you the capability to record multiple instruments and multiple tracks together into one session.

Essentially, a microphone (or a 1/4 Jack in some cases) is connected to a system which records the signal from the microphone into the computer as digital data. Once recorded this system can play the recorded data back in time for you.

In fact, not just that, you can also maneuver the placement of this recorded data in the session.

Now lets breakdown how a song is created from an idea.

Step 1: Demo!

This is pretty self explanatory. You need to record a guide track. You can either record this on your phone or your home recording setup or also in the studio before you start. This is just so that it gives the artists who will be performing in the song a guide as to where certain sections of the song come in. For example, without the guide track it would be hard for the drummer to just figure out where the chorus or bridge of the song would come.

The guide track also gives the recording engineer or producer what the tempo and the arrangement of the song is.

Step 2: Rhythm Section

As most of you know, the rhythm section is the foundation on which the song is built. In most cases it is best to record the drums first on the demo. Reason being, this drum recording is what the rest of the musicians will follow to record. Imagine a recording session where the musicians are recording to different references, the entire recording would sound out of sync.

TLDR: Everyone follows the Drums and the bass. So we record that first.

Step 3: Record the Harmonic section

Once you’ve built a solid foundation with the drums and the bass, then comes the Harmonic section. This is where you add chords using different instruments like guitar, piano, horns or strings depending on the genre of the music you are trying to create.
You can record multiple harmonic sections using various instruments to highlight the sound that you are looking for.

Step 4: Record the Melodies

Once the outline of the song is laid down, then its time to record the main instrument which will be leading the song. It can anything from Vocals to lead guitar to a violin.

Usually recorded last since this has to sit on top of the arrangement that we have already created.

Step 5: Finishing touches

This is where you add icing on top of the cake, where you add small tweaks and bits and pieces here and there like shakers and small percussion instruments. This could also mean adding an extra guitar layer on top of the arrangement to bring out certain elements.

In theory all of this sounds simple enough to do, but having a dedicated engineer taking care of all of these things makes life easier, like they say: Do what you do best, outsource the rest.

In the second part of this blog we will talk about the stages after recording like editing, comping, mixing and mastering.

Upload your File to Get Free Mastering Sample NOWUpload Now
+ +